LÀ-EAU
A new piece for the Undertown's 30th anniversary
Some fifteen minutes following water from the mountain down into the city, sung in yodel through autotune, the same “yo” coming back later as a scratch.
From 2005 to today: the stages, releases, projects and encounters that made OXSA.
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A new piece for the Undertown's 30th anniversary
Some fifteen minutes following water from the mountain down into the city, sung in yodel through autotune, the same “yo” coming back later as a scratch.
Album, 12 tracks, ADESIV

Twelve tracks that close a first chapter. Mastered by Nick Burchall (AudioAnimals).
Music and voices from patients' life stories, performed live at the opening with Daniella Favre
Commissioned by the Therapeutic Patient Education Centre at Geneva University Hospitals (ArtHUG, artist Benoit Billotte). Music and recordings of patients telling their life stories, then a live performance at the opening.
Single
Massoka comes out again as a single, before taking its place on ASTROSPORA.
Single, feat. Ludiane Pivoine

A new version of Future Roots, with Ludiane Pivoine on vocals. The extended mix closes ASTROSPORA.
Single

Fourth single ahead of ASTROSPORA, where it sits at track six.
Ô Débit EP, mixing
Single

Third single in the run leading to ASTROSPORA.
Jungle rock and drum & bass
Jungle rock and drum & bass
Single

Jungle rock and drum & bass
Single, the saga picks up again after five years

Lurk sets the saga going again. A year later it opens ASTROSPORA.
Jungle rock and drum & bass
Nicolas Fraissinet album, arrangement and mixing
DRIX RIKS feat. OXSA, instrumental composed by OXSA
The only track in the Drix Riks series that he produced from start to finish. Mixed in the studio by DROP.
Drix Riks feat. OXSA & Ludo Lagana, scratching
SuperSynco single, keys and vocals
Nicolas Fraissinet single, arrangement and mixing
Fraissinet's most streamed track.
SuperSynco single, keys and vocals
Award from the City of Meyrin
Meyrin, the town where he has his studio, gives him its Mérite meyrinois award.
Drix Riks feat. CARDIAC & OXSA, scratching
Drix Riks feat. OXSA & Ludovic Lagana, scratching
SuperSynco single, keys and vocals
Ô Débit x Nivu single, mixing
Jungle rock and drum & bass, at 11 pm
Ô Débit single, mixing
Jungle rock and drum & bass
Drix Riks album, OXSA scratching on three tracks
EGO DE KING KONG, LA DROGA EN MI BARRIO, CORTO Y CAMBIO.
Sound sculpture: stories from long Covid patients, set to music
Commissioned by Geneva University Hospitals with Cie Zappar, supported by the Leenaards Foundation. The stories are composed and recorded in front of the patients, then housed in a metal sound sculpture. It was later shown at the 2023 Geneva Book Fair.
Marcos Rojas (guitar), OXSA (keys and vocals), Léon Monnot (bass), Waidi Itas (drums), Andy Huguet (saxophone and vocals)

Joëlle Mauris's second album, mixing
OXSA feat. Marco Rojas, live set with guitar
The set already carried several tracks that would end up on ASTROSPORA, four years before the album came out. The best recording of OXSA's live show from before the modular setup.
Project, 2021-2022

The Synchopaths play Geneva's Fête de la Musique, with OXSA on keys and turntables.
OXSA & Joëlle Mauris (cello), exhibition opening, 6 pm
The first try-out of yodel through autotune, which came back four years later in LÀ-EAU.
Press
Drix Riks feat. OXSA, scratching
Single
“Sangre la vida.” Over six minutes, with a music video. The track comes back in 2026 on ASTROSPORA.
Single
Psytrance for the dancefloor. Comes back in 2026 on ASTROSPORA.
Ô Débit's second album, 15 tracks: arrangement, recording and mixing
Single
Psystep, the half-time blend of psytrance and dubstep he named himself.
Nicolas Fraissinet album, arrangement and mixing
An instrumental piano album with the same title had come out in 2020.
Two Nicolas Fraissinet singles, arrangement and mixing
Ô Débit single, mixing
Jungle rock, on keys, scratching and third voice

As lockdowns end, he joins this jungle rock band and gets back to playing fully live with other musicians. He also does the mixes and some of the visuals.
Single

Between dubstep and psytrance, with a music video released in January 2021.
Joëlle Mauris's debut album, mixing
Sixteen tracks, forty-nine minutes. The crowdfunding campaign on wemakeit closed on 24 June 2020. The single Pas de chanson d'amour came out the same year, and the single Piacelli, Cello & Piano (Joëlle Mauris & Lee Maddeford) on 7 August 2020.
Single, with Ludiane Pivoine and Joëlle Mauris
Ludiane Pivoine on vocals, Joëlle Mauris on cello. Comes back in 2026 on ASTROSPORA.
Single, released on the Eling The Strange label
His most streamed track on Spotify.
Single, lyrics by Ludiane Pivoine
Posted on SoundCloud on 15 November, then on streaming platforms on the 21st. The only track from the 2019-2021 Psystep series to get a proper release; the others stayed on SoundCloud and were later reworked for ASTROSPORA.
Electronic live set, at midnight
Booked right after pop singer Alenko, in an edition with 529 concerts on 32 stages.
Ô Débit single, arrangement and mixing
Two staged live recordings
Made with the AudioGraphy association and filmed like a TV show, with extras and dancers. They came out alongside Divinity.
Album

The album where his half-time blend of psytrance and dubstep takes its final shape.
Improvised rap: OXSA on synths and scratching, with Ô Débit, Keumart and Sentin'L
Built like improv theatre: the audience sets themes, styles and challenges, and everything is made up on stage. A run of nights from January 2018 to May 2019. Marine joined the team for the last dates.
Two Ô Débit singles, arrangement and mixing
Artwork published under ADESIV.
Ô Débit single, recording and mixing
26th Fête de la musique, at midnight
The first time all fifteen members of the collective appeared together.
Single, the first release on ADESIV

Released on the opening day of the Fête de la musique, the day before the collective's launch gig.
Single, OXSA & DirtyMadSound
With DirtyMadSound, artwork by Naïma Pasche and a music video by Yann-David Urbanovicz, Joshua Preiswerk, Léo Felder and Julien Donzé.
Ô Débit single, recording and mixing
A collective of some fifteen digital media professionals
Musicians, sound engineers, video makers and stage designers coming together to produce, publish and distribute without middlemen, and to train newcomers. With Mika Ventura, Pylone, DirtyMadSound, Third2Second, Marko Kekic, Boris Poget and Germain Umdenstock.
Soundtrack, Happy City Lab

He writes the music for Borealis, Happy City Lab's performance created at EPFL and later shown in London and Sydney.
Mobile studio with Germain Umdenstock, 2016-2021
Several years of composition commissions: participants write, OXSA composes on the spot in twenty minutes while they sing, chant or rap, then mixes it at the studio that evening. Over a hundred classes and institutions, with end-of-year concerts.
Composition and sound design, Studio Corium

An immersive installation: holographic video mapping that simulates a tornado on LED structures.
Original music and sound design
An immersive piece by Adrien Boulanger (Staminart) and Mika Ventura (Studio Corium), conceived as a journey through light. OXSA was in charge of its sound world.
Music for the film “La Vie Ailleurs”, Exoplanets exhibition

A film made for the museum's exhibition. Produced by Point Prod, art direction by Studio Corium, directed by Laurent Graenicher. Credited as “Musique Oxsa”.
OXSA & DirtyMadSound, Montreux Jazz Lab, aftershow
The 49th edition. Lab aftershows are free to get in.
Press
Single

OXSA & DirtyMadSound, Halloween night
Put on by Trash Family and Inkel Production. The duo's only show outside Europe.
Sound creation, with Mika Ventura
Music and sound design for a large-scale Studio Corium projection mapping on a Geneva façade.
A remix by OXSA
A drum & bass remix of All Good for Rootswords.
St-Léger stage, Saturday 11 pm
Live set on the St-Léger stage of Geneva's Fête de la Musique.
Live at L'Usine
Live at Le Zoo, the club inside L'Usine, which introduced him as a pianist and scratcher breaking the usual mould of the electro producer.
Sound creation, Studio Corium
An immersive installation and video mapping on a giant structure designed by Mika Ventura: six minutes of visuals and sound for The Uniparty 5 and the Fête du Printemps. The mapping video went online on 24 March 2014, the making-of on 27 August. OXSA is tagged in both videos, alongside Catherine Baroni and Mika Ventura.
Single, OXSA & DirtyMadSound

Premiered by the Canadian label Kannibalen Records in November 2014.
EP, first released on SoundCloud

It held Velociraptor, Post Age, Post Age (D&B Extended) and Singularity. Only some of the tracks later made it to streaming platforms. Error A came out the same year.
OXSA & DirtyMadSound

It stayed on the duo's SoundCloud, which later became ADESIV's.
Four singles, Helios with DirtyMadSound

Error A, Post Age and Velociraptor are collected on the Velociraptor EP, between drum & bass, drumstep and techno.
OXSA & DirtyMadSound
The duo with DirtyMadSound at Bourask Festival, at a quarter to one in the morning: bass music, electro and dubstep.
OXSA solo live
A punk and hardcore bill: an odd one out in his career, and a good one.
OXSA & DirtyMadSound, under the Argent Sale label
The 38th edition, 230,000 festivalgoers over six days.
OXSA solo, Montreux Jazz Lab, aftershow
The 47th edition, the first after Claude Nobs died. A free Lab aftershow, alongside BTK and Kenhobiz.
Press
Remix for Najavibes

A bright dubstep remix for the reggae band Najavibes, mastered in Washington by Mike Caplan.
A giant interactive instrument, winner of the “À vous de jouer” competition, 22nd Fête de la musique
Three five-metre towers covered in touch zones, built for several people to play at once without knowing any music, over three days. More than two thousand people played them. Interactive music system and sound design by OXSA; produced by Studio Corium & 42(prod), built by Lumens8.
Single, OXSA & DirtyMadSound
With DirtyMadSound, given away as a free download.
“Ska D'Anathole” feat. OXSA, Winter Live Music Festival
EP

Four tracks between breakbeat and drum & bass, artwork by Naïma Pasche.
Argent Sale night
On the bill of the Argent Sale collective's night at Case à Chocs, for the Loccomotion release party.
Press
With Youri Ortelli
They met through the Argent Sale label. Youri on the mix, Patrick scratching, then producing electroclash together.
Edit, OXSA & DirtyMadSound

A drum & bass edit made with DirtyMadSound, released the same day as the duo's teaser.
OXSA solo live, Détour stage, with IVY's VJ
His setup back then: a laptop sequencing in Ableton, and a scratch turntable on a second laptop running Serato.
A single-shot music video: piano, scratching and MPC
He plays alongside himself three times over. The most literal demonstration of how he makes music, fourteen years before it became the line in his bio.
Argent Sale showcase, with DirtyMadSound
The Argent Sale collective's showcase at Transat Festival, with DirtyMadSound.
Press
Finalist in the Swiss final
Six DJs qualified for the Swiss final: Certified, Bowser, Bazooka, Larry King, OXSA and Kermit. The winner went on to the World Finals in Vancouver. Filmed by StarTV. He had qualified at Case à Chocs in Neuchâtel.
Scratching over the drum & bass DJs' sets, all night long
Remix for Syncretic

A breakbeat remix of a metal track, a bonus on Syncretic's album Signs of Misfortune.
Electronic live set
On the Friday bill of a young festival born out of a final-year student project, between Hell's Kitchen and Delaney Davidson.
OXSA Live Band, ten musicians on stage
The 21 to 24 April 2011 edition, with 96 artists on the bill.
EP

Set up around him by André Joy and Nicolas Donnet
He made its first release.
EP, Argent Sale era
Electro live
An electro live set at Les Saturnales 2009.
Press
Album

Made with Reason 4, Logic Audio and Ableton 2.
Album, made entirely in Reason
He played it live at the time, solo or with Tim Janin on bass and Adrien Quinodoz on drums, as Disable and Beautiful.
Debut album
Somewhere between a Cut Killer-style turntablist mixtape, breakbeat and young rappers over his beats. Produced from 2000-2001, released four years later.